I'm Shaghayegh; I was born in 1986, in shiraz one of the most famous artistic and historical cities of Iran. It's not surprising to have a great interest in numerous forms of art such as drawing, painting, made craft and so on.
One of my hobbies in childhood was demolishing various kinds of appliances and then reassemble them in new types of products. It's the matter of choosing industrial design as my major in university Before I became a designer I had followed graphic design in high school and my passion for arts and crafts was unbounded. But after Iran university exam which is called Konkor, I achieved a great rate among all students and my advisor told me to choose Industrial Design which is a combination of crafts and design.
Industrial Design Made me happy but as not as arts and craft. In 24 as young designer I participated in numerous competition all around world and Iran. As an intern, I worked with good companies and had some exciting experiences. I graduated in bachelor of Industrial design and become competence in ideation of product design, sketching, problem solving and profound skill in jewelry design. Afterwards I became designer and art director in different company. I have been talented and industrious student in bachelor and accepted for master of Industrial design without entrance university exam. In this time I studied master and work for jewelry company Simultaneously.
During my master studies I have been introduced with conducive methodology of design and art research, these methodology made me indulged in academic research and studied hard, and
encouraged me to study PH.D.
Therefore if you want to know me more, read the rest of my resume.
تلفن تماس:
E-mail:
Education
Associate of graphic Design: Sep 2004 - Jul 2006
Bachelor of Industrial Design: Sep 2007 - Feb 2011
Master of Industrial Design: Sep 2008 - Jun 2014
Ph.D. in Art Research: Jan 2016 - Jul 2019
Teaching
Research highlights
01
Chitsaz, Shaghayegh, Nedayifard, Ahmad, Nmvarmotlagh, Bahman (2019). '' Study of Transformation of Visual Motifs to Written Motifs in Persian Contemporary Jewelry'', Journal of Culture – Communication Studies, Vol.20, No.78, Pp: 37 – 65
02
Chitsaz, Shaghayegh, Nedayifard, Ahmad, Nmvarmotlagh, Bahman (2019). '' An Inter-Textual Reading and Interpretation of Pomegranate Motif in Contemporary Jewelry of Iran Based on Archeological Pretexts'', Bagh-e Nazar, Vol.16, No.77, Pp:43 – 58
03
Chitsaz, Shaghayegh, Nedayifard, Ahmad, Nmvarmotlagh, Bahman (2019). ''Study of Myth Critique of Gilbert Durand by Looking at “Persian Garden Jewelerys'' , Journal of Fine Arts, Vol 24, No.3, PP: 31- 42
04
Chitsaz, Shaghayegh, Dadvar, Abolghasem; Nedayifard, Ahmad (2018). "Hypertextual Study of Contemporary Jewelry: (Case-study: Snake Motif), First International Conference On Symbology In Persian Art.
05
Chitsaz, shaghayegh, Sadeghi Naeni, Hassan, Nedayifard, Ahmad, Malekipour, Helyaneh, Vahdad, Alireza, (2017). "Texture assessment of automobile dashboard: An Integrated Approach to Industrial Design and Ergonomics", International Journal of Automotive Engineering, Vol.7, NO.3,Pp:2503 -2514
06
Chitsaz, shaghayegh, Sadeghi Naeni, Hassan, Talaei, Marzie (2016). "Persian Design Model: Similarities and Differences of Industrial Design and Handicarfts, a challenge in Contemporary Art", The 2nd International Congress of Architecture, Art and Urban
07
Chitsaz, shaghayegh (2014). "Iran Cradle and Heritage of Purest Glass", The 9th Conference Of Gruppo del Colore
08
Chitsaz, shaghayegh, Emami, Jamshid (2013), " The Green wall as an approach for a sustainable thinking led to sustainable design", ECO Design 2013, The 8th International Symposium on Environmental Conscious Design and Invers Manufacturing
09
Emami, Jamshid, Chitsaz, Shaghayegh, (2013)."Systematic Training Manual Designed Within Digital Design to Increase The Level of Creativity in a Shorter Time", EPDE 2013 (the 1515 International Conference On Engineering and Product Design Education)